Roderick Vonhögen's Virtual Edition ~ Through the Force, things will you see ~ Roderick Vonhögen's Virtual Edition ~  Through the Force, things will you see ~ Roderick Vonhögen's Virtual Edition ~  Through the Force, things will you see ~
Indy's Idealistic Ending for Episode III
by forumer Indy500.
 
Part Four
It is anticipated that we will see Luke as a baby in Episode 3, and of course, the missing footage gives us a grown up, eighteen-year-old Luke. Some may argue that an epilogue at the end of Episode 3 that skips us ahead 20 years to the time of ANH would be a "break in formula" just too unorthodox for a SW film. I say, breaks in the Star Wars "formula" actually are the Star Wars formula, considering that as soon as Lucas seemingly establishes a cinematic "rule" in these films, he bends it. For example, Episodes 1,4,5, and 6 all begin with the same "pan down" camera move immediately after the opening text crawl. With Episode 2 however, George broke with this established "sacred tradition" by having the camera pan up instead. Similarly, he showed us with the ROTJ SE that a Star Wars trilogy is "allowed" to close with an epilogue that differs somewhat in narrative style from the rest of the story. The ROTJ SE ending jumps back and forth in time a bit; something that people don't normally associate with SW, and so we shouldn't be too surprised if Episode 3's ending moments should give us something as "different" as a jump ahead in time to the missing Tatooine footage.
The three Tatooine segments were originally intended to play between the scenes depicting the capture of Leia's ship, the escape of the droids, and their capture by the Jawas. To consolidate that footage into one segment and now show it separately as an Episode 3 epilogue would create a time "overlap" with the beginning of Episode 4. At the end of Episode 3 we would see Luke spying Leia's ship under attack, and later Biggs sees the ships "just sitting there." Still more time passes as we then see Luke and Biggs saying their goodbyes. Then, when you watch the beginning of the next film, you experience an obvious "rewind in time," because you're now seeing the attack and capture of the Tantive IV again. Some may have a problem with this, their argument being that in the Star Wars films we never see an event happen, only to see that same event "replayed" all over again from some other point of view. To this I would remind the nay-sayers that George actually has utilized this "replay" type of storytelling in Star Wars already.
Luke espies a meteor impact ... or does he ? It occurs at the very beginning of The Empire Strikes Back, when the Imperial probe droid crash-lands on Hoth. We see it's capsule enter the atmosphere, colliding into a snowy ridge, and then we witness the droid's emergence as it sets off on it's mission. Then, moments later, we cut to Luke who spies the "meteorite" coming down again - we're shown the same event twice, though it really only happened once.
So we see that for the sake of telling his Star Wars story, George is okay with "bending rules". He's okay with overlapping time, or even showing the exact same event twice, if it's from two different points of view. Therefore, it is not so inconceivable that at the end of the Prequels we'd get to see Luke's eyewitness account of Leia's capture, and then at the beginning of ANH see that same capture happen again, this time from her and the droid's perspective. Lucas has talked several times about his conceptual approach to storytelling, as in this quote :

"I'm approaching these films, for better or worse, like a symphony. I have a lot of themes that I keep repeating over and over again through the whole thing. Different notes and different instrumentation, but when you see all six movies together you'll see that there are a lot of recurring notes being played. Sometimes they're played with the oboe, and sometimes they're played with the violin, and sometimes they're played with a full orchestra. And it's done on purpose. And it's also done in different facets. It's something I toyed with in my very first film, THX, which is to take various ideas and show different aspects of them, but out of context. Instead of three acts it was almost like three different movies. But each movie was telling the same story in a different way. I became fascinated with that idea. It's a kind of 'visual jazz' - it's like, you go off on a riff on the same idea, and you just take a concept and you just interpret it differently visually. It's hard to explain exactly how that works, but it's like painting different views of the same thing and putting them on the same piece of paper, a sort of Cubist idea. I like the idea of cyclical motifs that keep recurring over and over and over again."

Along these lines, if the missing footage does make it into the saga, then the Hoth and the Tatooine scenes will become abstract mirrors of each other. Aside from the obvious "replay" storytelling device that both would exclusively share, also recurring in both instances is the scenario of a lone Luke Skywalker spying a far off Imperial presence in the sky with his electrobinoculars, unaware in both cases of what he is really looking at. Also, on Tatooine he loses the Treadwell, and on Hoth, his Tauntaun. Thus, it is interesting to see how the missing footage would visually and thematically relate to ESB's beginning, but would the dialogue in the footage still work for the saga? Since the time that the missing footage was originally conceived, it has been debated that a portion of the dialogue has now become contradictory to the SW vision that George has presented since then. I say it has not (for a couple of reasons), and I'll begin with a quote from an article in SW Insider #64 entitled, "The Vehicles of Episode II." Author Daniel Wallace writes :

"At more than 40 years old, [Owen's swoop bike] is still more than adequate for checking the far-flung outposts that make up the perimeter of a moisture farm. After purchasing [it], Owen added two storage bins to the rear of the vehicle for carrying vaporator parts and survival gear. Owen also packs a weapon for scaring away Tusken Raiders - in later years it will be said that Owen can hold off "a whole Tusken raiding party with one blaster."

Of course, that last bit is a direct reference to what Biggs says of Luke's Uncle in the missing Anchorhead footage, and some fans question if the bold statement could be possible. Well, Daniel Wallace's assessment does follow some logic, since the farm's remote vaporators do need to be routinely checked and maintained, and it's likely that most of the time just one person would be venturing out alone (as was expected of Luke in ANH) to perform these chores. Considering the ever- present Tusken threat, then it only makes sense that one should carry a weapon, and ANH shows us that Luke (even though he would most likely be outnumbered in the event of an attack) indeed toted a rifle along with him in his landspeeder. Despite his overconfidence, the Sandpeople were in fact shown to be very vicious attackers when they caught him off guard. So, could Owen stand any better chance? Would it be at all possible for him to "hold off a whole colony of Tuskens with one blaster," as Biggs claims? An answer would be partly dependent on what the Sandpeople deem to be the most preferred method of attack. The following is a description of Tusken attack behavior, compiled from various written official sources :

Extremely territorial and xenophobic, Tusken Raiders are the foremost reason Tatooine colonists do not wander far from their isolated communities. Sandpeople are resentful of incursions in their territory and prey upon travellers, attacking with very little provocation. Fearsome desert savages inhabiting the rocky Jundland Wastes, the males of the species tend to be the aggressors and are known for their fierce attacks, sometimes on moisture-farmer homesteads or Jawa scavenging parties. They can hide even in the featureless landscape of the salt flats, where they sometimes lie in wait to kidnap or kill moisture farmers who come out to tend their vaporators. Tuskens usually stay away from towns and cities, but in the dead of hot season, they emerge from the wastes after the twin suns set to scavenge or steal from the edges of settlement zones. They have even gathered numbers large enough to attack the outskirts of smaller towns like Anchorhead, although they are more likely to wait until an individual or small group is isolated before attacking.

While there is no question that the Tuskens are indeed dangerous and deadly, apparently they also don't seem to produce a constant and unyielding attack on any particular front. Instead, they wait for the more preferred opportunity of their victims to be isolated away from a main living hub, where stealth and the element of surprise can give them an advantage. This description of the Tusken's preferred attack behavior is not contradictory to anything that the existing films show us : during TPM's podrace, Tusken snipers out on the remote stretches of the racecourse opt to shoot from the relative safety of their cliff side hideaways. In AOTC, we're told that the vicious monsters caught Shmi alone, away from home. Then, while her search party was some distance (about 23 miles, according to "Inside the Worlds of AOTC") from any established settlements, the Raiders "came out of nowhere" and killed 26 of them just before dawn. In ANH we see that they ambush Luke after he wanders into their territory, but the appearance of a shambling lone figure startles them, and they run off to rally the strength of greater numbers.
So, what are we to make of the Biggs dialogue that George Lucas himself wrote, directed, and shot for the missing scenes concerning Owen and the Tuskens, in light of how he has subsequently portrayed his Tusken characters in the films? I submit that the possibility does exist, that Owen just might be able to "hold off" a band of Tuskens as Biggs (and George) claims. Of course, Owen's most optimal chances of doing so would be in a position of offence rather than defence; fending off a perimeter-alarmed encroachment upon his property for instance, as opposed to being caught completely off-guard while out in Tusken territory. However, it is also conceivable that if Owen did get attacked while away from home, one blaster just might make the crucial difference in allowing him to withstand his adversaries long enough to make an escape, especially if the Raiders somehow lost their preferred element of surprise. The bottom line is, Biggs' lack of clarification as to exactly why he holds such confidence in the abilities of Luke's Uncle actually creates the leeway for any number of possible scenarios wherein Owen could've held off a Tusken raiding party and lived to tell about it. After all, to "hold off" a group of Tuskens does not imply a totally annihilating victory, but rather, to merely keep them at bay for a time. The possibility of Uncle Owen being able to do this (even if it's not easy) definitely exists, and to postulate that it would be impossible would be folly. That being said, let's look closer at Luke's excuse for not leaving his Uncle Owen :

"The Tuskens have been getting really crazy. They've even raided the outskirts of Anchorhead."

Luke's statement actually brings some merit to the notion that Tuskens directly raiding a settlement is an infrequent type of behaviour for them to be engaging in; however, I believe his excuse is merely a red herring. Granted, the Tuskens may have really been acting up as Luke claims, but he was only capitalizing on their recent and unusual behaviour because he couldn't bring himself to tell Biggs his real reason for canceling his application: He's too afraid to make a stand against his Uncle. Biggs sees right through his best friend, and he brushes the weak excuse aside with an equally inflated answer. You see, whether or not Owen can actually hold off a colony of Tuskens with one blaster is not so much the issue here, as is the fact that Biggs and Luke both simply assume that he can. Their presumptuous attitude is indicative of the delicate balance between dread and daring that the Tatooine settlers seem to continually straddle in regards to the Sandpeople; knowing of the danger, and yet taking it for granted.
The ANH script speaks of the "curved, double-pointed gadderfi- the dreaded axe blade that has struck terror into the hearts of the local settlers," and yet Luke seemed to take the threat of the Sandpeople ("Or worse!") pretty lightly. We see him scampering up a ridge to "go have a look," instead of running for his life while he still can. Uncle Owen himself has witnessed the tragic and deadly aftermath of Shmi's lone foray into the vaporator fields, and yet in ANH he is willing to send his own young nephew out alone into those same fields. But why, after what he saw in AOTC? And when Cliegg allowed his beloved wife to go out in the early morning hours unescorted, it wasn't because the Tuskens hadn't caused any problems yet. Quite the contrary, the TPM novelization says that they had been "pillaging outlying homes and way stations, waylaying caravans, stealing goods and equipment, and terrorizing everyone in general" for as long as young Anakin could remember. No, the settlers have a tendency to get lulled into a false sense of security, and this is exactly what befell Cliegg Lars, as the AOTC novelization reveals :

"It's been a long time since we organized anything against them," Cliegg replied gruffly. "We let the beasts run free, and they're forgetting the lessons we taught them in the past." He looked hard at Owen's skeptical expression. "You don't even remember the last time we chased off the Tuskens! There's the problem, right there!"

For those who might tend to dismiss the Prequel novelizations into the realm of non-canon, let's not forget the March 2001 issue of the Official Site's "Homing Beacon," which featured R. A. Salvatore, the author of the AOTC novelization. The following quote is taken from that article :

Like Terry Brooks, who wrote The Phantom Menace novelization, Salvatore will get to expand the story of the film, and tell of events not shown on the screen. With Lucas' guidance, he is getting insight into the characters and complexities of Episode II. "Even though it's a novelization and I'm playing off someone else, I get to sit down with George Lucas and listen to the guy who created all this. That's a life experience. You don't turn things like that down. I was able to add in a lot of things that I think will compliment [Lucas'] vision. Some of them might not be approved, and I'll have to make some changes, but that's part of the process too."

In a nutshell, anything that has been allowed to remain in the Prequel novelizations has been reviewed, discussed, and approved by George Lucas himself. If the book has Cliegg ranting about how he has "chased off the Tuskens" and "the lessons [he] taught them in the past," we can count on this being in accordance with George's vision for his story and characters. The settlers tend to mistakenly assume that the Tuskens can always be easily beaten, and Biggs merely demonstrating this misguided perception in the missing footage does not contradict anything at all. Really, there is nothing in the missing footage that should prevent it from fitting in with the rest of George's story.
Next, I'll conclude by presenting a "virtual script" of the proposed Episode III epilogue.
 
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